2/28/2024 0 Comments Peter cook architectLondon, he announced, was now a centre for “concepts, metaphors, images and design”. “Before it is too late, let’s get the creative architects back into schools.”Īs professor of architecture at the Bartlett School, part of UCL since 1990, he brought in staff and attracted students from across the world, turning an academically solid school into a leading centre of creative design. Discussion and collaboration lie at the heart of his creative practice, and he is an articulate advocate of cross fertilisation between architectural schools and offices. His drawings at Archigram and since have captivated people with their depictions of an architecture freed from conventions of style and construction, and students who came under his influence include Zaha Hadid and Rem Koolhaas. As an art-impresario at the ICA and Art Net, he introduced new ideas and people to London audiences, and stimulated discussions about the nature of art and contemporary culture which has a modern counterpart in the RA Forum. With the flamboyance of a showman, Cook turns his fascination with “the puzzlement of the strange thing” into spectacles. Transience and impermanence were other interests, and although the Kunsthaus is a large and permanent structure, it has the possibility of almost endless redefinition through a varied exhibition programme. The influence on buildings like Piano + Rogers’ Pompidou Centre was obvious, though several Archigram members declared themselves disappointed that it didn’t move. In the meantime he had become the pre-eminent architectural educator in the UK, run the Institute of Contemporary Arts (1969-71), established and directed Art Net from 1972-9, and continued to expand the techniques and redefine the imagery of architectural drawings.Īrchigram mixed Pop Art’s fascination with found objects with emerging technical possibilities to imagine an architecture where the necessary guts of a building determined its imagery. As a founder member of the visionary group Archigram in the early 1960s, Peter Cook helped to project radically new possibilities for architecture.īut it was not until 2003, with the opening of the Kunsthaus in Graz, designed with Colin Fournier, that these visions were manifested in large and prominent building.
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